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LaCorte
La Corte — The Court

II of XI · Águas Vivas

La Corte

The Court

Hand-carved crystal on a single amethyst throne. Five macaws holding court — each placed once, in conversation, never to repeat. 24-karat gold talons. Minas Gerais.

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Carved CrystalStone
AmethystBase
24K GoldTalons
Minas GeraisOrigin
La Corte Collection 003  ·  Águas Vivas
Phaöra  ·  MMXXVI  ·  26°21′N 80°05′W

La Corte · II of XI

The Piece

Materials
The Process
Provenance
Care & Display
The Birds

The Piece

La
Corte

I

Carved Crystal

Stone

II

Amethyst

Base

III

24K Gold

Talons

IV

Minas Gerais

Origin, Brazil

V

Two Years

In the making

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La Corte — Carved Crystal, full spread

The Court · Full Assembly

Stone & Metal

Carved Crystal
on Amethyst

La Corte is built around a single amethyst throne — the largest formation Phaöra has ever set. The five crystal macaws and the amethyst they gather on share one origin in Minas Gerais, brought together over two years so the court would look as though it had always been there.

I

Carved Crystal

Sourced from Minas Gerais, Brazil. Carved from a single block per bird. No composite, no adhesive — each figure is one unbroken stone.

II

Amethyst Base

Deep violet amethyst from the same region as the crystal. A natural formation — not shaped, not cut. The court gathers on the throne exactly as the earth offered it.

III

24K Gold Talons

Each talon is hand-cast in 24-karat gold and set individually. The beaks are obsidian, shaped over three weeks with a dental drill.

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Two Years · By Hand

How It
Was Made

No machine touched this work. Every form was arrived at through hours of silence, stone dust, and revision. The sculptor worked alone, in a single studio, from first mark to final placement.

I

Rough Form

Each bird began as a block of raw quartz. The rough silhouette was established with diamond-tipped chisels over the first three months.

II

Feather by Feather

Individual feathers were carved with a dental drill — the same tool used for the gold beaks. Each feather took between one and four hours.

III

Final Placement

The five macaws were seated on the throne once. No rehearsal, no adjustment. Who presided, who watched, who had just arrived — the whole court was decided in a single afternoon.

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Origin & Record

Provenance &
Documentation

La Corte is accompanied by a complete provenance document, signed by the sculptor and notarised in Brazil. The collector receives the full material record, photographic archive, and a sealed certificate of authenticity.

I

Certificate of Authenticity

Signed by David Machado Vaz and the sculptor. Notarised and registered. One copy travels with the piece, one remains in the Phaöra archive.

II

Photographic Archive

Over 400 photographs documenting the full two-year process, from raw stone to final placement. Delivered on archival media.

III

Material Record

Full geological documentation of the quartz and amethyst: quarry coordinates, extraction date, assay report, and material weight pre- and post-carving.

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Preservation · Display

Care &
Installation

La Corte was designed to live in interior light. The quartz responds to warm directional lighting from above; the amethyst deepens under natural daylight. Both materials are stable and require minimal maintenance.

I

Lighting

Halogen or warm-white LED at 2700–3000K, aimed from directly above. The quartz will appear to glow from within. Avoid cold-white or blue-spectrum light sources.

II

Cleaning

Dry microfibre cloth only. Never wet, never chemical. The gold talons can be polished with a jeweller's cloth annually if desired.

III

Installation

Phaöra offers a white-glove installation service. Our team travels to the collector's location and places the piece with the same care as its original setting.

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Five Figures · One Branch

The Birds

The five macaws of La Corte are not a flock — they are a court. Each holds a different station around the throne, and none repeats. Each was named by the sculptor on the day they took their place, not before.

I

The Sovereign

Wings fully spread above the throne, body vertical. The one the others orient toward. The court has a centre, and this is it.

II

The Counsel

Wings folded, head turned to the Sovereign. Still, attentive — the one leaning in to be heard before the moment passes.

III

The Petitioner

Lower on the throne, one wing dipped, gaze upward. Newly arrived at court, or about to address it. The ambiguity is intentional.

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La Corte — wing detail

Águas Vivas · La Corte

The stone
holds court

Five macaws in carved crystal, gathered on a single amethyst throne. La Corte does not pose its subjects — it catches a court mid-conversation, every glance still mid-sentence, and lets the stone keep talking long after you have left the room.

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Each work is placed by private conversation.

No public sale. No auction. David responds personally within twenty-four hours.

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Previous work Alba Bianca ← I